Our prone attachment to Murakami stems from the idea that his literature was a piece in our own love story. We were a new, young couple then. We lured each other to fascination as we read the “Second Bakery Attack” together. We had a hunger that we have until now. In the beginning of our relationship, we emailed each other links to “On Seeing the 100% Perfect Girl.” Those stories laced us into a shared space of consciousness . It helped us form the fondness we enjoy now. It’s literature that helps me fill my own void, with a girl that jumps into that void with me. Many of the stories, after all, are a creative description and attempts to understand loneliness and grief, strangely with many laughs along the way.
And now we have a child, and another one on the way. My void is still there, but it’s really getting cozier with more people in it.
It’s Christmas Eve. D. will be out shopping for maternity clothes and some groceries. I. and myself decide to sit it out in a coffee shop. It was near empty at 10am, rain falling against the window pane. December was cold and wet this year. He warmed up to bread, butter, pieces of dried fruit. I sat beside him with mocha latte and eggs Benedict. He behaved so well, I often forget he’s just four years old. Ready with a hotspot and power bank, I left him to his iPad. But he seemed more interested with the book I brought.
He must’ve been attracted by the art, by the wide eyes on the cover that stared curiously at him. So we shared this story with a familiar fascination. It was a perfect Murakami that involved a labyrinth in library, new leather shoes, a bird/a voiceless girl, the mother waiting at home, a sheep-man and an old man who wanted to fatten and slurp a little boy’s brains. And this one is filled with artful visuals! You were sold and into it like a moth to a flame.
I recited every word as you sat in my lap, blurting it out with all the enthusiasm and animation I could muster. I made a few footnotes on the side, making sure you don’t get traumatized about going to libraries, without necessarily killing the spirit of the story. You weren’t scared, you said, even after the part with the black dog with green eyes and a jewel-encrusted collar. Instead, you responded with such delight and that immediately emitted and transformed into mine. I had a second cup of coffee, savouring how much happiness I’ve been gulping. It’s how I sometimes feel that this world of voids, lost shoes, the seeming unfairness to fair people, balls and chains, uncertainties and accidents sometimes conspire to bring me to an otherwise perfect moment. We were reading a story and weaving our own.
Days after Christmas, you crave for more. Your attention is caught by the book sitting in our shelf. You ask me to read it to you again.
What you won’t understand now, I suppose, is how you’ll need to dig and jump into your own well one day. I honestly can’t tell you how that’ll go for you. But early indications suggest that you’ll make a really cozy void.
One day, please let us jump into that void of yours.