The beer tastes better as the afternoon sun fell heavy on us, mirroring its light on glittering waves, disturbed by passing jet skis.
Nothingness – the determining finality of it all. Before that, there is a straight line… of days that simply drag you along like the currents of the sea.
Though you can never rid yourself of uncertainties, though you can never efface boredom, deny your emptiness or the nothingness which is the determining finality of it all, you can still get yourself to say that happiness in manageable. I cannot refuse this bone of optimism that’s growing within my skeleton.
Like most things, happiness is fleeting. But why not savor it while it lasts, why not insist on making it linger a moment longer?
We went back to the beach, and I found belongingness. I found an affinity with the sand and the scenery. To have your feet buried in the continually crumbling sand, flood your eyes with the magnificence of an earthen sunset, let the booze snake down your throat, and listen to the waves as the water ripples, and listen to my chill out CDs. We took a lot of photos of ourselves, as though to make the memory accessible. We had lunch and dinners at grills and steakhouses in Subic and had drink on a dive-shop-slash-bars by the beach. The beer tastes better as the afternoon sun fell heavy on us, mirroring its light on glittering waves, disturbed by passing jet skis. At night, the lamps hung on the trees, and the lights from the ships on the silent sea glowed with the stars. We checked in one of those cheap motels.
I understand the difficulty of not being able to spell out the bliss I’ve been hanging on to. I have been groping for more words that would decorate it profusely, that would explain the eminent richness of experience, but they escape me. It’s probably my job that led me into the lack of finding the intellectually stimulating. Not to mention that this job has added so many of my imagined fears. It increases my insecurities of the future, even to the point of keeping the job itself. But then, it gives me the money I need to squander during weekends, and probably respect required by everyone. I believe that my paranoia has increased tenfold, and yes, paranoia is just the highest scale of reality. My job makes me represent a lot of things which is beyond my control. Irate callers somehow give me the idea that the dreadful anger exhumed in human nature is somehow justifiable, because Corporate America has its glitches. More importantly, it has its greed. And now I have my own. I think it was back October when I said, my own cliché: “that there are certain things we have to do, to keep on doing the things we want to do. Even your own pleasure has its prerequisites.” I got a 25% salary increase since I was regularized last month.
Perhaps my muse is frowning at me. She seeing a coldness, growing like a tumor in my brain. She is thinking that I’m slowly becoming a person I dreaded. Sometimes, it becomes less and less important to put things into writing. Maybe I’m merely losing it, watching myself ebb away from me. But then, why let it?
As I’ve said, everything’s still manageable. I’m fetched on a far, better position that most people. Rarely would you think that the grass is greener on your side. This is me and my low-profile happiness. Perhaps there is happiness lurching in the night, when I stare at the unfeeling buildings erected on Ayala Avenue. I see them everyday, and never seem to see them get tired. They would always have some lights up, no matter ho occupies those desks, when the former gives up on the job. Maybe I should always feel like the eager newcomer who is determined to rise up on the challenge. I’ve always tried to stare so closely to the people who go to work during the morning, when I’m about to go home after the shift. I wonder what their lives are like. Do they live like zombies alienated by their jobs? Can they afford to catch the day’s snatch of happiness, or maybe light a sincere passion? What are their certainties and what do they live for? What is it that helps them get through a difficult day? I don’t think they think of it that much.
There is a moment, in each passing day, when you think of your own afflictions. Between that summation of my low-profile happiness, I have the terrors of my own solitude and my own vague aspirations. It’s not that all apparent for now. Somehow, I think they are still is easy to get over. Someday, perhaps things will be more difficult. The future’s not far, with the way I hurry the days. I will be alone long enough, and be alone in the end zone. But why think of it now, when its less difficult to design legitimate alibis, and any affliction is not an urgent, but rather an invented concern.
It’s strange how I’ve gotten to enjoy Monday afternoons such as this one. I woke up early today, and went biking when the sun wasn’t even up. It was so fucking cold I didn’t even sweat. I went up to that spot, on the side of the CCP main theater lobby, after you go up that high ramp. On one side, there is Napoleon Abueva’s
Magkasintahan sa Buhay at Sayaw, one of the sculptures I’m most fond of. I wrote an essay about that sculpture once. On the other side, you get the view of Roxas and the buildings of Makati blocked heavy with the city’s carbon monoxide. After that I went home and slept again. I spent the afternoon writing and reading and sleeping again. During the evening, you are served with a comedy marathon on Star World: Third Rock from the Sun, That 70’s show, Everybody Loves Raymond, Dharma and Greg, and Frasier. Oh, and I almost failed to mention that I’m almost drunk now. A rightful celebration to a glorious day, to muster enough confidence to say that the week is going to be easy.
An emotion switches and swings so quickly from one mood to another. One minute you are a five year old in Disneyland, the next minute you are the oppressed protagonist in appalling 2 pm soap operas. We’ve always believed that Sisyphus has ordained life its meaning when he said fuck you to the gods and took meaning in pushing his boulder to the mountaintop. Sisyphus represented my ideals, somehow. He was my hero, my high school thesis.
He represented my drive towards facing the nakedness of reality, my impulse to the truth, to pursue what is passionate and principled.
But now, becoming Sisyphus won’t be too laid-back, it won’t be too hedonistic. It is as though I have found a new struggle. It is the struggle of I don’t know. I don’t know and I don’t want to think about it. I don’t want to complain. I don’t want to be too compulsive, or too naïve. I don’t want to be filled with fear, with the ignorance of why I live, or why I have lost my ideals. I want to ask myself why I sound like a self-help book, or why I write so bad? Why do I feel complete, yet sometimes completely empty?
My answer is to press your mouth to the loving, relieving lips of a beer bottle. The answer is to write, to matter how vaguely, or how ugly. The answer is to find your story, to tell the uniqueness of your story. It does not matter what the ending comes to. The answer is uncertainty. Life has not endowed us the favor of certainty.
Have you not gone tired of your struggle? Have we not all gone weary even of our own happiness, struggles, uncertainties, absurdity, faith in God, faith in Nothingness, which is all merely faith in something unknown.
Did you not want to feel nothing? Have you not wondered what nothing feels?
Have we failed to catch the drift of what Sisyphus meant had when he found his meaning? What was it like to love that piece of fate?
We make this absurdity thrive for each day of our lives, with our demeaning occupations. I’m working again tonight, and you’re working again tomorrow, pushing that stupid rock… only to push that stupid rock again. I spur my brilliant excuses to our customers, and once again psur my brilliant excuses to our customers.
Of course, there are always benefits. Somebody always gets richer when the dice is thrown in the craps table. We can have our share of the pot. We should have a job for more salary-dissipating activities for our selfish vanity, and fulfilling not just the needs but the importuning of gastronomic fantasies, or working your whole life for a two week vacation.
Here I am trying to write and be sublime and all. Pretty pathetic attempt, I guess. But then, as you may have noticed, I only write the same thing. I have no new message, no specific event, no new story to tell.
“We are all in one boat… and that boat is going nowhere.”Nothingness – the determining finality of it all. Before that, there is a straight line… of days that simply drag you along like the currents of the sea.
Everyday at twelve noon, the highpoint of the house arrives. I think you can only call it half a house, since half of the place is devoted to our family business. Twelve noon is the busiest time of the day, since a large volume of people come over to have lunch. A thick whiff of sizzled squid, lamb chops, and tenderloin would cloud the air. Utensils would continually be clacking, against the cacophony of 12 PM traffic in the street, the loud and heated hiss of fire on sizzling plates, my parents and our servers moving in a hurried tension.
At this time of the day, the room downstairs would be most rowdy, as it usually is. The room upstairs would make you feel like leftover food being nuked in the microwave oven. It is the most difficult time of the day, especially to find solace. I usually have a beer or two at this time, during regular working days, bum around with my cousin (who would be on his lunch break from school) or watch the telly in my parent’s room.
I miss the sala I’ve always spoken of, and the revelry it brought me during afternoons with its poetry of light and shadows, chillout/classical music, the rich blend of coffee, good reads, and a type of solace more rare than blue diamonds.
I spend maybe half an hour talking to my mom and dad every afternoon while they eat, after most of the customers finished eating. It’s amazing how they always make it a point to have lunch or dinner together. Nothing fancy, but together. And all of a sudden, I am most glad I have them.
I made an effort to read and re-read effort my journal for the past couple of months, and even the entries for the last five years. It was like taking my life in my hands, and clutching it firmly again, listening to my story from my own voice, and noticing how this voice has changed.
I also took it as a point of comparison for the entries I’m writing now. Maybe I’ve grown less eloquent, or maybe just more forward, honest, and less decorative on my choice of words and had lesser things to conceal.
My frustration about the most recent journal entries (since I started working) is that they have been railing against the same things and plugging the same fucking fare to the point that it’s become sickening to talk about it. Undeniably, there has been sameness in my life. However, I failed to dwell into the very details of events that taken place that would probably spell at least a little difference.
In this Friday afternoon, between buttered garlic toast, hazelnut coffee and bossa nova, I resolve to engage more profoundly into the moment and spell out that difference to whittle the worthlessness of writing about the sameness of my life.
Call it as some sort of mild escapism, but I have to lessen all that redundant crap about my job… or even the happiness I managed to assemble.
Pixel Juice by Jeff Noon. This is one of the titles that I got off the rack after a lot of browsing at PowerBooks. I never heard of Jeff Noon, I never heard any reviews for the book, nor received any recommendation. But I guess I just followed my intimations and instincts. I remember buying a lot of books this manner, titles such as Sophie’s World (yes, before everybody started reading it), Zen: Freedom of the Mind, or a poetry book by Luisa Cariño. I initially liked Jeff Noon because it looked like a fusion of Coupland, Hornby and Welsh, and because it had an interesting cover and binding.
Pixel Juice is a collection of fifty stories. The stories range from product recalls for factory-defective celebrity-looking fucking dolls, to instructions for the use of mad gadgets archived from the museum of fragments. There are stories about magic-realist drugs which feed robots their dreams and hallucinations to feed them their humanity. Noon also based some his fiction on the club scene in Manchester to produce stories about eternal groves on jellied-up moments. There’s this story of a DJ that can make echoes of the beat last for six weeks, rapid-fire fingertronics, etch-plate aesthetics and fractal scratches out of human edit --- because her one hand is pliant and the other hand is made of butterflies.
Noon mostly writes about the future, about AI’s that he fondly calls autogens. I think he’s trying to give at least a faint glimpse of how screwed up the future could be, with all the buzzing technology that humans hatched. The language he uses sounds unique because he usually invents words for himself, like names for drugs, drinks, or artificially intelligent beings. I don’t know where he draws it from, video games, porn flicks or classic sci-fi books. Sometimes it’s annoying because it sounds pseudo-scientific, and sometimes it’s downright amusing. Take these definitions for instance:
BABY n. The outcome of unprotected sex between a human male and female.
BORBI DOLL n. the most sophisticated doll of the 21st century. The girlfriend of RoboKen, with whom she produced the baby-data called Borble.
The stories from Pixel Juice always seem to attempt a disturbing effect that runs on an occasional dark humor, or would lead you to an interesting insight. With most of the stories dwelling on the future, what seems to be stressed is that whatever is the result of evolution, desire remains undiminished. Desire only becomes more and more obscure.
Some stories, however, lack detail and are therefore difficult to imagine. And all those stories about robots and AI’s and autogens and chromosofts and magic mirrors become terrifically annoying after you read one or two stories of that kind. It’s really annoying to the point of vomiting. The best stories are the ones which aren’t about that. The most fascinating one would be “The Cabinet of the night Unlocked.” It tells a story of a ritual discovered by a mute monk back in the 1400’s. The ritual consists of activating a “switch” in your body that turns it off painlessly, to give you a pleasurable death. It was most fascinating. I also enjoyed “Junior Pimp” the story of an eleven-year old pimp, “Fetish Booth #7” was quite fascinating as well, although the reason why the character wanted to die was not established, only the “how.”
Out of fifty, perhaps the book provides 10 noteworthy stories, 20 brief and would-pass-off-as-amusing-and-readable stories, and 20 that are annoying and crappy.